Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)

The Gallipoli Campaign took place between April 1915 and January 1916 and marked the first significant military engagement for Australia as an independent dominion. The Gallipoli Songbook commemorates this crucial event of the Great War with a collection of contemporary songs relating to the soldiers, the public at home, and the sheer poignancy of such a tragic event, all arranged for Piano, Vocal and Guitar.The diversity of songs included in this Gallipoli Songbook is testament to the spirit of optimism, consolation and humour inherent in the collective consciousness at the time of such great anxiety and fear. This is a wonderful compilation of contemporary tunes that were popular both before the War, during the various campaigns and after the War itself. Some songs included here sum up the optimistic and patriotic spirit in the years leading up to Gallipoli, such as Waltzing Matilda and God Save The King, while others like And The Band Played Waltzing Matilda, from after the event, look back on the horrors of the Anzac experience on those fateful days.Other tunes come from the wonderful British Music Hall tradition, using irony, sarcasm and humour to overcome the sadness associated with the Great War. Songs like Oh! It's A Lovely War, It's A Long Way To Tipperary and Along The Road To Gundagai were popular both at home and as marching tunes, conquering the petrifying realities of war with rousing music and song. The Gallipoli Songbook also includes wistful, sad and heartbreakingly poignant lyrics that capture the unavoidable sadness associated with the costs of total war, songs like I Wonder Who's Kissing Her Now, There's A Long, Long Trail and The Gift Of Years, all bittersweet reflections on love, loss and life's transience. Each song included here is a fantastic way to remember the victims of the Gallipoli campaign, and to understand the power that music has to allay, disguise and reflect upon fear and anxiety. The songs, arranged for Piano, Vocal and Guitar with full lyrics and chord boxes, are a fascinating insight into the period from before the War to after it, and their timelessness makes them as fun to play and sing now, as they were back then. The book also contains a smattering of brilliant images from the time, as well as an extensive foreword that explains, in detail, some of the songs and their meanings.The Gallipoli Songbook is an enjoyable, poignant and fascinating collection of tunes of, or relating to, the Great War and the Gallipoli campaign. Each song is beautiful in its own way, and would be perfect for a commemorative performance, or just an addition to your general repertoire. This songbook is perfect for a musician interested in history, or simply anyone who appreciates the golden age of emotive songs that meant more back then than we could ever imagine today. / Piano/Vocal/Guitare (PVG)

Joseph Haydn composa une multitude de lieder qui s?ils restèrent quelque peu en retrait par rapport au reste de son ?uvre n?en sont pas moins de très grande qualité. Ce volume contient tous les lieder pour voix et piano dont l?authenticité est avérée. Ainsi outre les grands cycles de lieder allemands et de canzonettes anglaises il propose également des pièces indépendantes célèbres telles que «Gott erhalte Franz den Kaiser!» si souvent adapté par la suite. Pour cette édition urtext fondée sur l?édition complète des ?uvres de Haydn la spécialiste de Haydn Marianne Helms a pu s?appuyer sur de nouvelles sources si bien que la partition reflète l?état actuel de la recherche.

Santorella Publications est fier de présenter 101 Popular Songs for Brass and Reed Instruments. Après d'innombrables demandes que nous avons tout rassemblé sous un même toit. Il a été depuis des décennies en laiton ou joueur roseau pouvaient trouver tant de chansons reconnaissables, de genres variés en une seule collection. Disponible en touches accueillir pour clarinette, trompette, flûte, alto sax and Trombone à la fois en solo et en duo formes.101 Popular Songs comprend une variété de classiques bien connus originales, classiques de mariage, hymnes sacrés, chants patriotiques, des standards de jazz et chants de Noël. Chaque édition comprend trois (3) Accompagnement Piano CD - avec plus de 100 titres dont des duos classiques et jazz. Chaque joueur de cor aura une occasion unique de jouer avec les plus grands musiciens de studio à Los Angeles. Chaque édition est orientée vers un instrument particulier dans les sections Duets Classique and Jazz, qui est enregistré dans un mode de 'Music Minus One'. / Accompagnement Piano

Santorella Publications est fier de présenter 101 Chansons populaires pour Trumpet.After innombrables demandes que nous avons tout ce qu'il a rassemblé sous un même toit. Il a été depuis des décennies en laiton ou joueur roseau pouvaient trouver tant de chansons reconnaissables, de genres variés en une seule collection.Aussi disponible dans les clés pour clarinette, flûte, alto sax and Trombone à la fois en solo et en duo formes accommodant.101 Popular Songs comprend une variété de classiques bien connus originales, classiques de mariage, hymnes sacrés, chants patriotiques, des standards de jazz et chants de Noël. Chaque édition comprend trois (3) Accompagnement Piano CD - avec plus de 100 titres dont des duos classiques et jazz. Chaque joueur de cor aura une occasion unique de jouer avec les plus grands musiciens de studio à Los Angeles. Chaque édition est orientée vers un instrument particulier dans les sections Duets Classique and Jazz, qui est enregistré dans un mode de 'Music Minus One'. / Trompette

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn’s most successful and inspired works. This work, which in addition to the usual Salzburg “church trio” includes two trumpets and timpani, belongs to the category of “Missa solemnis. ” The popular nickname Chiemsee-Messe is bound up with the history ofthe origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn’s most successful and inspired works. This work, which in addition to the usual Salzburg “church trio” includes two trumpets and timpani, belongs to the category of “Missa solemnis. ” The popular nickname Chiemsee-Messe is bound up with the history ofthe origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn’s most successful and inspired works. This work, which in addition to the usual Salzburg “church trio” includes two trumpets and timpani, belongs to the category of “Missa solemnis. ” The popular nickname Chiemsee-Messe is bound up with the history ofthe origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale

(Includes 2 CDs)-This is among the most widely used teaching repertoire for singers in the U.S. Over 30 songs are featured in each book including American and British art songs folk song arrangements sacred songs and a sampling of beginningsongs in German Italian Spanish and French. There is a completely different song selection for each voice type. This book includes access to online audio.

Contents: One Sweetly Solemn Thought (Ambrose) • The Lass with the Delicate Air (Arne) • My Heart Ever Faithful (Bach) • Then you'll remember me (The Bohemian Girl) (Balfe) • I love thee (Beethoven) •Habanera (Bizet) • Carry me back to old Virginny (Bland) • Calm as the Night (Bohm) • A Dissonance (Borodin) • Cradle-Song (Brahms) • Sapphic Ode (Brahms) • O Sole Mio (Capua) • Beau Soir(Debussy) • Songs My Mother Taught Me (Dvorak) • Drink to me only with thine eyes (Traditional) • The Last Rose of Summer (Traditional) • Londonderry Air (Traditional) • Song of Volga Boatmen (Traditional)• A Resolve (Fontenailles) • My Old Kentucky Home (Foster) • Dedication (Franz) • Dearest believe (Giordani) • Lullaby (Godard) • Jurame (Promise Love) (Grever) • Ich liebe dich (Grieg) •Solvejg's Song (Grieg) • Do not go my love (Hageman) • Were my song with wings provided (Hahn) • Where'er you walk (Handel) • Whispering Hope (Hawthorne) • My mother bids me bind my hair (Haydn) •Aloha Oe (Queen Liliuokalani) • Elegie (Massenet) • O rest in the Lord (Mendelssohn) • Love's Old Sweet Song (Molloy) • The Violet (Mozart) • Barcarolle (Offenbach) • Passing By (Purcell) •Lilacs (Rachmaninoff) • When the roses bloom (Reichardt) • A Song of India (Rimsky-Korsakov) • My heart at thy sweet voice (Saint-Saëns) • Ave Maria (Schubert) • Serenade (Schubert) • Thou art solike a flower (Schumann) • The Two Grenadiers (Schumann) • Sylvelin (Sindling) • To You (Zeuignung) (R. Strauss) • All Soul's Day (Allerseelen) (R. Strauss) • The Lost Chord (Sullivan) • One who hasyearn'd alone (Tchaikovsky) • Goodbye (Tosti) • Le donna e mobile (Verdi) • Mother-Love (Voigt) • Dreams (Traume) (Wagner) • La Paloma (The Dove) (Yradier).

Die drei- und vierstimmigen GesängeThis edition contains all Haydn's three and four part songs for mixed voices. They are all from Haydn's last most mature period and are undoubtedly the best that he created in the genre of song - pieces of the highest value cheerful full of great urgency.Since their structure also allows for performance by chorus they already belong to the standard repertoire of many choirs.

As the title suggests More Than Singing concerns not only music and proper vocal techniques but also life and the transcendent power of art. Lotte Lehmann was among the most eminent lyric-dramatic sopranos of the early twentieth century especially noted for her passionate and sensitive renderings of lieder. In this guide she distills a lifetime of work research and experience into concise revealing lessons in the interpretation of songs by Schubert Brahms Schumann Haydn Beethoven Strauss Mahler Debussy and other masters.'Only that is convincing which is truly felt ' declares the author and her insightful and inspiring manual illuminates thesubtleties of tempo phrasing enunciation—even the proper pose facial expressions and gestures—that enable singers to plumb the true depths of a song and convey its deepest meanings. Lovers of lieder will particularly appreciate her inspired interpretations of complete song cycles including Schubert's Die Winterreise and Schumann's Dichterlieber.Reprint of the Boosey & Hawkes Inc. New York 1945 edition.

für Kaiserin Marie Therese-Haydn's Te Deum for Empress Marie Therese for SATB.Haydn made two settings of the Ambrosian song of praise the Te Deum. The second of these was written for the Empress Marie Therese to a commission from the court of Vienna; a work of Haydn?s last period it dates from 1800. Its large orchestra gives this work which makes no use of solo singers a particular splendour of sound skin to that of the choruses in Haydn?s Creation.

The Pathways of Song series offers concert songs in easy vocal ranges for the voice student, by composers such as Schubert, Brahms, Handel, Bach, Mozart, Beethoven, and Haydn. The series includes representative repertoire, with English translations and piano accompaniment. / Voix

A Brown Bird Singing published in 1922 is second only to The Roses of Picardy in popularity among Wood’s vast oeuvre. With lyrics by composer Royden Barrie the romantic words are well matched to thetouching melody. The song has been recorded many times since it appeared including a version by jazz songstress Peggy Lee and one arranged for zither. Haydn Wood (1882-1959) earned his reputation as a giant ofBritish light music in the twentieth century through a prolific career that encompassed performance as Violin soloist and conductor and as well as composer of some of the nation’s favourite melodies. Wood was not only was a giftedand popular creator of Orchestral works and musical theatre but also the composer more than 200 songs many of them the greatest hits of their era. A Brown Bird Singing has been arranged for SSA femalechorus by Felton Rapley.